Exhibitions 2017

April 27 to June 3, 2017

Tony Stegmayer




The exhibited stone sculptures by sculptor and video artist Toni Stegmayer, who resides in Kiefersfelden in Bavaria, look at the topics of perception, movement, openness, and static coherence. When observing the cubic works of the Mental Rotations series, characterized by clean incisions and irregular fractured surfaces, the desire to imagine the individual elements back in their original state immediately arises.

The sculptures of the second series on exhibit, Constellations, are a series of stone blocks and pillars that are re-organized for each exhibition situation, and that take over the gallery space in chaotically situated piles of symmetrically placed blocks and single pillars. With carefully set incisions and controlled breaks in the material, Stegmayer bends the massiveness of the stone cubes, seeming to bring them out of their static balance.


Both Krasimira Stikar and Toni Stegmayer work with a complex interplay of movements, statics, time, and space.

Vernissage: Wednesday, April 26, 2017, 7 – 9 pm

Exhibition duration: April 27 to June 3, 2017

Curator: Hartwig Knack, Cultural Scientist and Art Historian




April 27 to June 3, 2017

Krasimira Stikar


Drawings and installation


Krasimira Stikar, born 1980 in Bulgaria, finished her studies under Peter Kogler at the Academy of Fine Arts Vienna in 2005.

Here, Stikar exhibits works on paper that show us sequences of movements in a concrete-minimalist way akin to the image sequences of a short video animation, focusing on the themes of change versus stasis and inside versus outside in a geometrically minimal manner. Stikar also painted a temporary mural for the exhibition that cites US American artist Frank Stella’s series titled Shaped Canvases. The artist contours and accents the solid front wall of the gallery entrance using a linear vocabulary that adds to the wall segment and makes it rhythmical, setting it into motion and opening up the room.


Both Krasimira Stikar and Toni Stegmayer work with a complex interplay of movements, statics, time, and space.


Vernissage: Wednesday, April 26, 2017, 7 – 9 pm

Exhibition duration: April 27 to June 3, 2017

Curator: Hartwig Knack, Cultural Scientist and Art Historian




March 9 to April 21, 2017

Magnus Pöhacker

Magnus Pöhacker was born 1967 in Innsbruck. He studied at the Academy of Fine Arts in Vienna from 1985 – 1991 in the Master Class of Sculpture led by Prof. Joannis Avramidis and graduated in 1991. He continued his studies in 1991/1992, going more in depth with Medal Making and Plastic Arts and beginning printmaking with the Master Class for Printmaking under Prof. Maximilian Melcher at the Academy of Fine Arts Vienna. He has been a freelance sculptor and graphic designer since 1991.

His work centers on human bodies, subject to the passing of time, moving, changing, or stopping in the midst of a motion.

The exhibition STANDPUNKTE reveals the narrative elements of sculpture. We find heads, torsos, and bodies laying down, sitting, standing, cowering, one-legged, proud, pushed down, and upright; we find round and edgy shapes, smooth and cracked, shapes made of concrete and metal. It is as if the artist has been on a long journey, near and far, and brought us sculpted photos to look at. Heads that turn out of their sockets and lift up over the earth; proud, calm heads. Figures that seem to hover in weightlessness, others that can barely rise, or not lift at all, and even others that seem to be stuck in their sockets, held fast by an unseen force.

Magnus Pöhacker is a quiet artist, but the titles of his works are communicative, such as Block-like Torso, Overextended Head, Small One-legged Person, Head Stalk, and more. Each sculpture has, depending on the lighting and the angle, an almost endless wealth of facets and appearances, telling us stories of emotions, friendships, passions, and the archaic rhythms of life and death that we are all subject to.

Vernissage:  Wednesday, 08.03.2017, 19.00 bis 21.00 Uhr

Exhibition Duration:  9.3. to 21.4.2017



March 9 to April 21, 2017

Anna Khodorkovskaya

Anna Khodorkovskaya

Born 1985
Lives und works in Vienna
2011 –... Academy of Fine Arts Vienna
2009 – 2010 The Institute of Contemporary Art Moscow
2003 – 2008 Moscow State University of Printing Arts

People try to get rid of the annoying “trash-things” of everyday reality. Advertising flyers,cheap magazines, used packaging and old worthless goods. Being produced by society itself, they are rather considered as physical and visual garbage. They are wanted to be thrown away and forgotten. But the junk of everyday life can also contain something worthwhile. Let us look closer at these fragments. What are they besides of what they say. One would assume that art and traces of the everyday were belonging to different orders, to different practices, both connected by a distinction that they have in common. Reflecting the everyday does not make art a part of it, and including arts in the everyday does not make it to an artistic practice. Yet, this gap between arts and the everyday is the starting point for these works. Reduction of the semantic function of the materials that are supposed to serve as an information media gives a possibility to focus attention on their visual and emotional components. Sometimes kept recognizable, and sometimes developed to an absolutely abstract compositions these images perform language of our daily aesthetics and dissolve the difference between arts and the everyday for the sake of a neither-nor, for the horizon of a moment of neutrality that is depending on the in-between of the elements it is constituted by and yet distinguished from what it is made out of.

Vernissage:  Mittwoch, 08.03.2017, 19.00 bis 21.00 Uhr

Exhibition Duration:  9.3. bis 21.4.2017



January 19, 2017 to March 4, 2017

möglichkeit erinnerung / A Possibility of Memory

They say that the human mind perceives the present as a span of three seconds – anything older than that is already the past. Today: No Longer (Heute: Nicht mehr, 2016) are medium format drawings and collages showing a landscape of direct experience changing as it already becomes a memory and is additionally interfered upon by other, random, thoughts. There is always a star present to symbolize distance in time and space. Photographs of a crystal, one of the oldest objects in the universe and one that radiates the most ancient memories,is emerging from the distant darkness accompaning the drawings.  An object floating in mid-air, The Inbetween, or Flying Foxes as Air Poets (The inbetweens, oder Flughunde als Luftpoeten, 2015) is probably the most fragile piece of the exhibition. It seems as if it could disappear while being observed. Photographers have long striven to capture a moment, to freeze it, but few of them have been able to create the simultaneity of tension and suspension. Judith Saupper’s object is not a frozen moment; you can’t do that. It has a form and is perceivable in its totality, which at the same time is indefinite and impossible to hold. It is just a fraction of time, with open possibilities for further flow. On the other hand, the temporal distance lets the human mind organize memories and bring an order into the past that the complexity of the chaos of the present does not allow. Some memories may be even constructed by the imagination in order to make the past more sensible and harmonious. In extreme situations, this process can lead to nostalgia. Untitled (Good Old Days II)(O.T. (Gute alte Zeiten II), 2010) is a sculpture of one such potential memory from past life, but instead of beauty and order, a utopian vision, it looks like an abandoned dwelling. Kept under a glass box, it gives an impression of something precious, just like personal memories are. It doesn’t look like a place where one would want to return to, where one would feel good. It just shows with humour how good in fact the “good old times” were when they were still new.


Judith Saupper was born in 1975 in Feldkirch, Vorarlberg. She graduated in Stage and Film Design from the University of Applied Arts Vienna in 2004. Since 2002, her artwork has been presented at numerous exhibitions in Austria and abroad. She has received prizes and been selected for residencies, and her art is part of numerous public and private collections. Judith Saupper lives and works in Vienna and Lower Austria.


Exhibition Opening: Wednesday, January 4, 2017, 7 to 9 p.m.
Elsy Lahner, Albertina  will talk at the exhibition 

Exhibition duration: January 19, 2017 to March 4, 2017