Exhibitions 2019

 

Robert Bodnar and Elfriede Mejchar

 

Vernissage
Wednesday,  27 March 2019, 7–9pm

On the Exhibitions
Bodnar: Angela Stief
Mejchar: Alexandra Schantl

Duration
until 13 April, 2019

 

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ROBERT BODNAR
BINARY RESTRAINT
Photographs And Objects

 

 

“Photography” is a phenomena that is becoming increasingly intangible and incomprehensible in this day and age. The days of defining a photograph as a printed image on a sheet of paper are long past. Photography today is a ubiquitous technological principle, a social behavioral mode, and much more. 

With Robert Bodnar, Galerie Straihammer and Seidenschwann presents an artist who is continually redefining the boundaries of photography.

Robert Bodnar explores new technical and conceptual forms of photography and photographic images in relation to human perception. By using hi-tech industrial materials and methods, he expands the definition of the photographic image and what it can represent. A “Digital Intermediate”, he follows the transition from analogue to digital and the transformation from digital to computational photography. He combines the traditional methods of photography with sophisticated digital technologies.  He transfers photographic processes into real spaces to create installation art experiences.  The conceptual reference points of the Binary Restraint series are raster, light, and perception.  The pictures and installations playfully reference the origins of photography in the silver salt crystals of analog film, as well as current forms of images as abstract information embedded in the circuit boards of our electronic devices.

Bodnar’s historical canon ranges from photograms to Photoshop copy stamps. He makes the materiality of digital structures tangible, expanding the possible range of how photographic images can manifest.

Johan Nane Simonsen

Biography

Born 1980 in Prague, Czechoslovakia

1991-1998 Secondary school in Vienna

1999 Studied Journalism and Communication Sciences at the University of Vienna (AT)

2003-2011 Studied Photography and Film at the Academy of Fine Arts, Vienna 

under Eva Schlegel, Matthias Herrmann, and Harun Farocki

2011 Graduated in Art and Photography under Matthias Herrmann (AT)

2003—present Numerous exhibitions and lectures at home and abroad

 

Lives and works in Vienna and Lower Austria.

 

 

Images (Download):

 

 
   
   

top left 
autochrome study #1, 2018
Lackiertes Birkenmultiplex-Sperrholz, Geschweißtes Stahlgestell, Pflanze, Lightjet C-Print auf Duraclear

 

top right 
clonebrushed firmament #1; aus: [Cloning Toolbox], 2017
Kupfer-Fotolithografie auf Epoxydharz-Glasfaser-Gewebeplatte [FR4], Rahmen

 

middle 
Verschiedene Fotolithografien auf Epoxydharz-Glasfaser-Gewebeplatte [FR4] 
„Yellow Darkroom“, Fotogalerie Wien, 2018

 

bottom
self-similar object #1_1, 2018
Fotogramm, Vergoldete Kupfer-Fotolithografie auf Epoxydharz-Glasfaser-Gewebeplatte [FR4], Rahmen

 

 

 

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ELFRIEDE MEJCHAR
ZUM 95. GEBURTSTAG

 

The oeuvre of this great Austrian photographer is extensive and varied. Much of her work is regarded today as an icon of Austrian post-war photography and it has become an important testimony of the era.

Over the course of her decades of professional life — first as a photographer for the Federal Monuments Office and, after her official retirement, for the TU Wien as a photographer of industrial monuments — she always took a close look at everything else that came across her path, from car wrecks to hotel rooms, from wood huts to traffic mirrors. With her superior alertness, Elfriede Mejchar has recorded and brought to life what would seem insignificant or even ugly, the traces of humankind in nature and in urban space. Not to mention her exceptional photos of tulips and amaryllis. Here, too, she found the decisive point of view to take the observer beyond the façade of superficial beauty and to discover something sculptural.

The exhibition shows a selection of her extensive work.

Biography

 

Born 1924 in Vienna.  

1941—1944 Photography apprenticeship and assistant certification in Germany 

1958 First camera 

1960 Master craftsman certification at the Graphischen Lehr- und Versuchsanstalt in Vienna 

1947 Started at the Department of Historic Monument Research, later employed by the Federal Monuments Office, projects throughout Austria. 

1954—1961 Photographed numerous artists in their studios and workshops. 

1984 After retiring, freelance photography work and from 1984—1994 for the TU Wien, Institute of Art History, Building Archaeology and Restoration.

 

 

Images (Download):

 

 

top 
aus der Serie Simmeringer Heide und 
Erdberger Mais Blick auf Gasometer,
11. Bezirk Wien, 1967-76

 

middle
aus der Serie Stiegenhäuser, Graz
ohne Jahr

 

bottom
ohne Titel, 1997

 

top
aus der Serie Simmeringer Heide und 
Erdberger Mais, 3. Franzosengraben, 1967-76

 

bottom
aus der Serie Verseltsamte Stillleben, 1988 - 1990

 

 

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Vernissage
Wednesday,  27 March 2019, 7–9pm

On the Exhibitions
Bodnar: Angela Stief
Mejchar: Alexandra Schantl

Duration
until 13 April, 2019

 

 


 

 

Virginie Bailly und Krasimira Stikar

Vernissage: 

Thursday, February 14, 2019, 7—9 pm 

On the exhibitions: 

Bailly: Elsy Lahner, Albertina

Stikar: Hartwig Knack, Art Historian and Cultural Scientist

Exhibition duration: 

until March 16, 2019

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VIRGINIE BAILLY
DAPHNES REQUEST
Paintings

 

Belgian artist Virginie Bailly will exhibit her latest works at Galerie Straihammer und Seidenschwann for the third time.

Titled Daphne‘s Request, the exhibition is an exploration of Greek mythology, based on a dream in which the artist was transformed into a tree.

With broad brushstrokes and grand gestures, the artist translates her thoughts into painting. She paints exclusively in oil, preferring glaze techniques to give the subject ample brilliance and depth. Some of the elements — agglomerations of brushstrokes and splotches of color — seem to want to take on a whole new state of being from one moment to the next. 

Bailly’s abstract paintings portray a dialogue between dream and the real world, fiction and reality, inside and outside, emptiness and abundance.

She creates organized chaos, using it to grasp incredibly dynamic tensions through the paintings.

 

Biography

Born in 1976 in Brussels

1993-1997 Studied Painting at the Ecole des 

arts d‘Anderlecht 

1998 Studied at the Ecole Supérieure des Beaux-Arts Montpellier (FR) 

1995-1999Studied Painting at the Hogeschool 

Sint-Lukas Brussels 

2000-03 Postgraduate studies at the Hoger Instituut voor Schone Kunsten, Antwerp 

 

Lives and works in Brussels.

 

 

Images (Download):

 

Images

left:
Apendix P1, 2018, 90 x 115 cm

Oil and mixed media on canvas

right:
Daphnes Request P2, 2018, 

80 x 60 cm
Oil and mixed media on canvas

bottom:
Aberratie P2, 2018, 70 x 60 cm

Oil on canvas

 

 

 

 

 

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Krasimira Stikar
PUNKT – GEDANKE – FLÄCHE
Drawings

 

In her new works, created in 2018, the Krasimira Stikar delves into an exploration of movement, statics, time, and space. Lines and surfaces cover the sheets. The lines grows out of a point, the most original form of representation, they are the tracks of a moving point. These lines are born out of movement, and, as Roman Signer, Explosion (Line), 1982, puts it: “from the destruction of the absolute self-contained serenity of the point.”

 Using points, lines, and symbols, we are brought to a plane of imagination that goes beyond rational thinking. Points and lines connect to supply information. Spaces and surfaces are created by means of points and lines situated on a two-dimensional surface. The abstract is transformed into something concrete and vivid. Things that are not sensory are made observable, analyzable, and reflective.

 The artist takes a great amount of time, quiet thinking, and contemplation to create these sensitive aesthetic works. This calm concentration seems to wash over the observer when looking at the pieces.

 

Biography

1980 Born in Ruse, Bulgaria

2002 - 2005 Studied Computer and Media Art at the Academy of Fine Arts Vienna, graduated 2005 Mag. art.

1999 - 2002 Studied Animation at the New Bulgarian University, Sofia

1995 - 1999 Nedka Ivan Lazarova fashion school, Ruse

 

Lives and works in Vienna

 

Images (Download):

 

Abbildungen

links:
WEITER GERADE AUS, 2018 

Bleistift auf Papier, 70 x 100 cm

rechts:
Richtung wechseln, 2018

Bleistift auf Papier, 100 x 70 cm

unten:
Schwerkraft blau, 2018

Acryl auf Papier, 70 x 50 cm

 

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Vernissage: 

Thursday, February 14, 2019, 7—9 pm 

On the exhibitions: 

Bailly: Elsy Lahner, Albertina

Stikar: Hartwig Knack, Art Historian and Cultural Scientist

Exhibition duration: 

until March 16, 2019