PRESS

 

 

Exhibitions

Nina Annabelle Märkl and Elmira Iravanizad

 

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Vernissage
Wednesday, April 17, 2019, 7–9pm

On the Exhibitions
Nina Schedlmayer

Duration
until 25. May 25, 2019

 

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NINA ANNABELLE MÄRKL
MORPHOSES
OBJECTS AND DRAWINGS

 

Nina Annabelle Märkl creates drawings, sculptures, and installations with continually transitioning media and perspectives. It is observation that makes a drawing into a sculpture or space, or turns a sculpture in an installation into part of a drawing. 

The artist creates intermediate states that show things in their possible forms — similar to a kaleidoscope — developing images and spaces that challenge the observer’s perceptual habits by creating stimulation and thus opening up sensual new possibilities to contemplate the things that exist in our world.

Shapes that initially appear to be abstract are actually elements that create a bring relationship between the observer and the drawing. These objects can be understood as spaces, landscapes, plateaus, outsourced displays of human emotion that then become part of the narrative. The images and arrangements suggest ideas regarding the permeability of humanity and its circumstances, people’s external and internal spaces, with an approach that is observational, selective, inspirational, and motivated by bringing things together. The simultaneity of opposites — proximity and distance, permeability and delimitation, creation and dissolution — is a determining criterion of Nina Annabelle Märkl’s work.

The images, whether an installation, arrangement, or drawing, stimulate the viewer, reveal something new, and trigger questions.

Biography

Born on 12 December 1979 in Dachau, Germany

01/2015–03/2015 
Artist in Residence Scholarship in New York City, International Studio and Curatorial Program (ISCP) 

2011–present 
Teaching drawing at the Academy of Fine Arts Munich

08/2010—10/2010
Artist in Residency Scholarship in Düsseldorf, Pilot_Projekt für Kunst e.V.

08/2009—10/2009
Artist in Residency Scholarship in Szczecin, Poland
European Art Fellowship Upper Bavaria

02/2009 
Diploma of Free Arts, Academy of Fine Arts Munich

10/2008 
First state examination in Art Education, Academy of Fine Arts, Munich 

10/2005—02/2009 
Study of Fine Art (Sculpture), Academy of Fine Arts Munich, Prof. Stephan Huber

02/2002—10/2005 
Art Education studies, Academy of Fine Arts Munich, Prof. Fridhelm Klein, Prof. Matthias Wähner

 

 

 

Images (Download):

 

   

top

Antike-Applikationen, Shifting Perceptions, 2018/2017
muc 15–Tusche und Bleistift auf Papier 36,5 x 28 cm

 

bottom

Frames_2, 2018
Tusche und Bleistift auf Papier 8 mm Vierkantstahl geschweißt Magnete, Nägel ca. 150 x 100 x 3cm

 

 

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ELMIRA IRAVANIZAD
GATE
OBJECTS

 

Originally from Iran, Elmira Iravanizad now lives in Berlin and creates art set subtly on the verge between painting and sculpture. The often almost monochrome image surfaces of Iravanizad’s paintings are often broken by color and shape formations that imbue the images with structure and accentuation. At the same time, sculptures with forms that could have been extracted from painting emerge. They seem to grow out of a wall, or lie prone on the floor, detached from any reference. The sculptures are usually made of metal and ceramic, a combination of two very different materials, with the ceramics often assuming a nearly flowing character. The objects, once mostly black, have been increasingly infused with bright yellow since Iravanizad’s arrival in Berlin. For the artist, this color represents the cultural differences between Iran and Germany. 

 

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Biografie

 

Born 1987 in Tehran. Lives and works in Berlin.

2014—2016
Postgraduate studies at the Berlin University of Arts. 

2011—2012
MA of Fine Arts, Sir John Cass Faculty of Art, Media 
and Design, London Metropolitan University. 

2007—2011
BA in Painting, Faculty of Fine Arts, Tehran University.

 

Images (Download):

 

   
 

top right Objekt Nr. 7, ca.20x40cm, Foto: Friedhelm Hoffmann

top left Objekt No.21, Laquered ceramic, 38x26 cm, 2019, Foto: Parham Mortazavian

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bottom Objekt Nr. 20, Lackierte Keramik, ca. 56x31x20cm, 2019, Foto: Parham Mortazavian

 

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Vernissage
Wednesday, April 17, 2019, 7–9pm

On the Exhibitions
Nina Schedlmayer

Duration
until 25. May 25, 2019

 


 

Exhibitions

Robert Bodnar and Elfriede Mejchar

 

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Vernissage
Wednesday,  27 March 2019, 7–9pm

On the Exhibitions
Bodnar: Angela Stief
Mejchar: Alexandra Schantl

Duration
until 13 April, 2019

 

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ROBERT BODNAR
BINARY RESTRAINT
Photographs And Objects

 

 

“Photography” is a phenomena that is becoming increasingly intangible and incomprehensible in this day and age. The days of defining a photograph as a printed image on a sheet of paper are long past. Photography today is a ubiquitous technological principle, a social behavioral mode, and much more. 

With Robert Bodnar, Galerie Straihammer and Seidenschwann presents an artist who is continually redefining the boundaries of photography.

Robert Bodnar explores new technical and conceptual forms of photography and photographic images in relation to human perception. By using hi-tech industrial materials and methods, he expands the definition of the photographic image and what it can represent. A “Digital Intermediate”, he follows the transition from analogue to digital and the transformation from digital to computational photography. He combines the traditional methods of photography with sophisticated digital technologies.  He transfers photographic processes into real spaces to create installation art experiences.  The conceptual reference points of the Binary Restraint series are raster, light, and perception.  The pictures and installations playfully reference the origins of photography in the silver salt crystals of analog film, as well as current forms of images as abstract information embedded in the circuit boards of our electronic devices.

Bodnar’s historical canon ranges from photograms to Photoshop copy stamps. He makes the materiality of digital structures tangible, expanding the possible range of how photographic images can manifest.

Johan Nane Simonsen

Biography

Born 1980 in Prague, Czechoslovakia

1991-1998 Secondary school in Vienna

1999 Studied Journalism and Communication Sciences at the University of Vienna (AT)

2003-2011 Studied Photography and Film at the Academy of Fine Arts, Vienna 

under Eva Schlegel, Matthias Herrmann, and Harun Farocki

2011 Graduated in Art and Photography under Matthias Herrmann (AT)

2003—present Numerous exhibitions and lectures at home and abroad

 

Lives and works in Vienna and Lower Austria.

 

 

Images (Download):

 

 
   
   

top left 
autochrome study #1, 2018
Lackiertes Birkenmultiplex-Sperrholz, Geschweißtes Stahlgestell, Pflanze, Lightjet C-Print auf Duraclear

 

top right 
clonebrushed firmament #1; aus: [Cloning Toolbox], 2017
Kupfer-Fotolithografie auf Epoxydharz-Glasfaser-Gewebeplatte [FR4], Rahmen

 

middle 
Verschiedene Fotolithografien auf Epoxydharz-Glasfaser-Gewebeplatte [FR4] 
„Yellow Darkroom“, Fotogalerie Wien, 2018

 

bottom
self-similar object #1_1, 2018
Fotogramm, Vergoldete Kupfer-Fotolithografie auf Epoxydharz-Glasfaser-Gewebeplatte [FR4], Rahmen

 

 

 

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ELFRIEDE MEJCHAR
ZUM 95. GEBURTSTAG

 

The oeuvre of this great Austrian photographer is extensive and varied. Much of her work is regarded today as an icon of Austrian post-war photography and it has become an important testimony of the era.

Over the course of her decades of professional life — first as a photographer for the Federal Monuments Office and, after her official retirement, for the TU Wien as a photographer of industrial monuments — she always took a close look at everything else that came across her path, from car wrecks to hotel rooms, from wood huts to traffic mirrors. With her superior alertness, Elfriede Mejchar has recorded and brought to life what would seem insignificant or even ugly, the traces of humankind in nature and in urban space. Not to mention her exceptional photos of tulips and amaryllis. Here, too, she found the decisive point of view to take the observer beyond the façade of superficial beauty and to discover something sculptural.

The exhibition shows a selection of her extensive work.

Biography

 

Born 1924 in Vienna.  

1941—1944 Photography apprenticeship and assistant certification in Germany 

1958 First camera 

1960 Master craftsman certification at the Graphischen Lehr- und Versuchsanstalt in Vienna 

1947 Started at the Department of Historic Monument Research, later employed by the Federal Monuments Office, projects throughout Austria. 

1954—1961 Photographed numerous artists in their studios and workshops. 

1984 After retiring, freelance photography work and from 1984—1994 for the TU Wien, Institute of Art History, Building Archaeology and Restoration.

 

 

Images (Download):

 

 

top 
aus der Serie Simmeringer Heide und 
Erdberger Mais Blick auf Gasometer,
11. Bezirk Wien, 1967-76

 

middle
aus der Serie Stiegenhäuser, Graz
ohne Jahr

 

bottom
ohne Titel, 1997

 

top
aus der Serie Simmeringer Heide und 
Erdberger Mais, 3. Franzosengraben, 1967-76

 

bottom
aus der Serie Verseltsamte Stillleben, 1988 - 1990

 

 

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Vernissage
Wednesday,  27 March 2019, 7–9pm

On the Exhibitions
Bodnar: Angela Stief
Mejchar: Alexandra Schantl

Duration
until 13 April, 2019